![]() Volume 3 (OTS 63, 2014) deals with the rhetoric, the formal and thematic framework, of Psalms 90-150 (the Fourth and Fifth Book of the Psalter). Volume 2 (OTS 57, 2010) deals with the poetic framework and material content of the Second and Third Books of the Psalter (Psalms 42-72 and 73-89). Synopsis: This book explores the little-regarded phenomenon of the tricolon in biblical Hebrew poetry, that is, those poetic lines that appear to have a. The rhetorical analyses of Psalms 1-41 are preceded by a broad survey of the history of strophic investigation into Hebrew poetry, starting from the beginning of the nineteenth century. and Strophes in Biblical Hebrew Poetry, with Special Reference to the First Book of the Psalter (OtSt 53 Leiden: Brill, 2006), 273-279 has the demarcation. ![]() Volume 1 (OTS 53, 2005) deals with the poetic framework and material content of the book of Psalms. The quantitative approach to a psalm in terms of verselines, cola and/or words in most cases clearly discloses a focal message. In a considerable number of psalms the Hebrew poets confined themselves to only one. ![]() 14-18) is about the reconstruction of the destroyed city of Zion in this canto Zion is personified as Gods (forsaken) wife. The formal devices especially include quantitative balance on the level of the cantos in terms of verselines, verbal repetitions, and (on the level of the strophes) transition markers. 2.1 The framework of the canto in terms of strophes The cantos that. In the present article I argue that Isa 49,14-21 consists of two 7-line cantos. ![]() Formal and thematic devices demonstrate that the psalms are composed of a consistent pattern of cantos (stanzas) and strophes. ![]()
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